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Entering the City – a barbarian appraisal

 

 

J’accuse is no architect and notwithstanding the ever-expanding ego does not deem itself an expert in the field of architectural appraisals. What follows is a barbarian appraisal of the sketches, plans and whatnot that have been unveiled for the hoi polloi to see and for the commentators (or bloggers as the Sunday Times editor seems to insist) to comment.

In primis we should say that we are always a tad bit mefiant (mistrusting) when it comes to abbozzi or models prepared by prize architects or upcoming upstarts alike. Whenever the work is actually finished the artist’s impression remains just that – an impression – and something gets lost along the way.

Having rid ourselves of that uncomfortable premiss let J’accuse also get rid of the part nobody could give a pig’s bottom (or a salvu balzan face, as the experts in anal discourse and bestiality seem to have decreed) about. J’accuse likes it. We mean the plan and not the swine’s rear-end.

And now for the candid, barbarian observation. What I find most thrilling about the whole shebang in a “I can’t wait to experience it” kind of way is not the Parliament house on stilts (a prize image for us commentators/bloggers) or the fact that 60 years later we decide to preserve the status quo for the Opera House ruins (luverly). Nor is it the ironic fact that the City Gate project will have anything but a gate (charming, and I’m serious).

What I do like is the idea of the subterrenean gallery that, if I read the dastardly sketches right (dastardly because they are miniscule online), should lead through the very entrails of the city for gentlemen and allow the visitor to surface magickally in the midst of what one supposes will be the hustle and  bustle of the starting point of Strada San Giorgio (all right, Republic Street).

I recently went on a fleeting visit to the Italy city of Perugia. Having parked in Piazza dei Partigiani the easiest access to the city was through the Rocca Paoliana – a magical city under the city made up of old tunnels and galleries complete with escalators that led you to the very heart of the city. I remember thinking what a magnificent way to get the feel of a city and its history. Who knows, maybe Renzo Piano could have something like that in mind?

Then again, these are only the scrawls and ramblings of a barbarian.

*image taken from the OPM site: Valletta Projects

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