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J'accuse: A nation divorced from reality

A few months ago I mentioned, in an interview on Dissett, that blogs were holding a mirror up to our society and that our society did not like what it saw. The process of reflection has been going on for some time now and whether it is the sudden urgency with which we are discussing Jeffrey Pullicino Orlando’s Bill or whether we are lost in the aftermath of the Stitching decision in court, we are constantly confronted with a picture of Maltese society – warts and all.

Much has been made of this idea that the battle between conservatives and progressives has reached its defining moment, but there is more to it than the centuries-old battle between preservation and change. While following debates on both divorce and censorship over the past week, I have noticed a trend in some of the arguments. Both subjects deal with specific values and bring to the discussion table a plethora of issues that have for a long time been dealt with quietly and away from the public eye. There lies an important point for this argument. I harbour a strong suspicion that one field in this debate – that of the conservative elements who are normally both anti-divorce and pro-censorship – is firmly rooted in denial.

This denial is built around a permanent incapacity to reconcile the facts thrown at them daily by the world around them with the principles and dogmas that they have been brought up to regurgitate. There is an innate inability to question and examine the unfamiliar allied with an ability to blot out huge portions of their own experience that would be incongruous with the very principles they would love to follow. It’s complicated. But you’ll soon see what I mean.

I can’t believe it’s not Shakespeare

Back in the time when I could play football for hours during break without fearing for life and limb, I used to return to my fourth form English literature lessons looking forward to the latest text on offer. I still vividly remember a particular play about a dysfunctional, murderous couple who were never up to any good. The woman (should I say woman?) in particular was quite a devil of a woman. To this day I am impressed by the passage of the play where she invokes the spirits to unsex her pronto and to transform her into the very embodiment of cruelty that is bereft of any remorse – a machine honed to commit any form of evil without any pangs of conscience.

That a woman would be prepared to relinquish her very own sex in order to become a perfect evil machine was surprising enough. There was more though. She then proceeds to invite murderers to come suckle from her breasts that, thanks to the aforementioned transformation, no longer provided maternal milk but had been transformed into a source of gall. Gall being of course the mediaeval word for wrath, anger, hatred… you get my drift.

Behind every great man lies a great woman. With this couple the woman is both schemer and mastermind, egging on a weak-willed husband to murder and remorseless backstabbing for the sake of power. When her husband’s will seems to wane and when he seems to be reneging on his conspiratorial promises, she once again provides him with an inspiring speech. Well, inspiring is one way of putting it. What she does tell her pussy-footing husband is that if it was her being held to her word, she would do so even if she had promised to bash the brains of her own infant. Her nonchalance is legendarily spine-chilling. She has “given suck” she says and “knows how tender ‘tis to love the babe that milks me”, but she would still “while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn as you Have done to this”.

A charming Lady she must have been, no doubt, this Mrs Macbeth. For yes messieurs et mesdames, this devilish dysfunctional couple is none other than the ill-fated Thane of Cawdor, Glamis, etc and his belovèd wife, and the play in question was written by the much acclaimed Bard of Avon himself – one Mr Shakespeare William of Stratford-upon-Avon. Given that the shenanigans to which these two got up could easily fall within the parameters of dangerous sexual perversions, as well as the imagery of assault and murder of suckling babes, it is a wonder how our English teacher – good, old Ms T. Friggieri – managed to present this play to a class of young impressionable adolescents without too much trouble.

Censor this?

Even if Ms Friggieri had the text whipped from her hands by Malta’s punctilious Bord ta’ Klassifika ta’ Pellikoli u Palk (hard one that, given that she is also the chairperson of said board), we could always fall back on William Golding’s magnificent Lord of the Flies and the wonderful metaphor of collective sexual climax among shipwrecked pre-adolescent boys as they stab away at a pig while being carried away in an ecstasy of violent and murderous pleasures. Who ever said school literature was boring? I wonder what the kids at Saint Aloysius’ College are reading today in the post-Stitching world. And will the Jesuits take the pupils on a trip to the cinema over Easter to watch Mel Gibson’s The Passion of the Christ replete with exaggerated scenes of violence and sadistic suffering far beyond anything found in the Scriptures?

Gibson, Golding and Shakespeare. All use their medium to deliver a message. The audience is not expected to sit back and literally consume all that is set out before it but is rather expected to question the content. The complex characters in Shakespeare’s Macbeth expose the dangers of a quest for power – Tolkien gives us the Ring, Shakespeare gives us an unsexed half-demonic woman prepared to bash the brains of her own suckling offspring. Golding examines humanity at its most crude and Gibson? Well, Gibson took the narrative of the suffering of the Son of God and exaggerated it beyond recognition. By the very standards imposed by the Stitching decision, Gibson’s film should never have made it to the silver screens in Malta (nor, should we really be punctilious, should most tracts of the Bible).

I could go on. The list is endless. As Rupert Cefai rightly pointed out, we might be the victims of our own hypocrisy. We would be prepared to censor the portrayal of a father lifting a dagger to the skies about to murder his own son as being “violent” and “offensive to sentiments”, but we might change tack if we called the dad Abraham and the son Isaac. Every narrative has its medium and, yes, some are quite shocking. But the mere fact that they are intended to provoke does not mean that they are “bad” or “censurable”. In the end we must ask the question: Are we protecting our values or are we cushioning ignorance? The debate (unfortunately) continues.

He ain’t heavy, he’s my Jeffrey

Michael Briguglio, AD’s chairman, penned a brilliant article last Friday called “Censoring (post)-Modernity” and you can find it on www.mikes-beat.blogspot.com. In the article, he argues that when referring to “Maltese civilisation” the Court that gave us the Stitching decision was actually referring to “the dominant interests of the dominant institutions in Malta”. It goes without saying that, having written of the dangers of the stranglehold of bipartisan politics in Malta for over five years, J’accuse is in full agreement with Mike. The mainstream of both political parties is unable to deal with substantial issues such as divorce or the latest questions of censorship.

The traditionalist stranglehold must not necessarily be seen with a chiaroscuro sense of “good or evil”. It does, however, threaten to choke the rights and expressions of a different (and growing) minority aspiring to a more liberal (or if you like a toned down term, a more personal) lifestyle. This is the unrepresented minority that is not content with having others think for itself. It’s the same unrepresented minority that would like to be provoked and challenged with new ideas and which believes that the building block of society deserves a shot at a second chance if it is broken, and irretrievably so. It believes in not imposing its values and thoughts on others but, ironically, it also still feels part of the social fabric that keeps us all together.

Which brings me to JPO (abbreviation for convenience) and his Bill. It’s clumsy and elegant at the same time. It’s oxymoronically magnificent and has shocked the lethargic dinosaurs plodding at the head of Mike’s “dominant institutions” into action. Shocked was GonziPN (the man, the label and the immediate entourage) by the sudden need to take a stand without faffing away or hiding in a bishop’s frock (plus the lurking danger of a new perceived fragmentation of the party). Shocked was Muscat’s Progressive Party by the sudden realisation that its bluff, with all its flaws and miscalculations, had been called and that the honeymoon with all things progressive would soon be over once the cover has been blown. The lone part-time farmer, journalist and dentist from Zebbug had struck again with a vengeance and hooray for that. Yes, we applaud JPO for this shock treatment. No wonder we chose him as our Personality of the Year in 2008.

The Bill itself has a long way to go and there are many tricks up the sleeves of the dominant institutions before we could actually see a proper divorce bill introduced (hopefully not this cut and paste Irish job). There’s free votes and qualms of conscience, there’s an uphill battle to educate about the tutelage of minority rights, there’s a possible refusal by a Catholic President to sign the bill (an excuse to get out of the way after the recent faux pas?), and then there is the mother of all threats: an abrogative referendum. For if fundamental fanatics like the GoL people can go to extremes to coerce parliamentarians into signing bits of nonsense, how can we not expect equivalent tactics to get a future divorce bill abrogated by busybodies who would tell you when and where to copulate, if they could.

The battle lines have been drawn. Right now we should focus on the debate rather than on the people jumping in and out of the limelight. I for one am grateful for the empowered journals with their mini-video vox pops that persist in their duty to lift the mirror straight into the face of Maltese society but please, please, someone get that Board of Censors to prohibit the use of the phrase “as such” in an interview. This practical debate (fortunately) has begun.

Encyclopaedic

This article threatens to reach the encyclopaedic levels of old and that is because of the two subjects that provoke endless discussion. Do pop over to J’accuse the blog because we have been having quite a few interesting exchanges over the last few weeks. We’ll be writing and blogging from home base (Malta) next week and you’ll be able to hear about the latest ECHR case obliging a state to provide a proper set-up for its residents abroad to be able to vote (cheers to the Runs for the flagging). I pick up my rental car on Thursday morning and I hope that the roads will be a little calmer than has been reported over the last few days. Easy on the gas pedal, guys.

Finally, the World Cup will be one match short of being over by the time you finish reading this article. We will either have Spanish or Dutch celebrations – either way it’s a European victory, which is small consolation for those of us whose hopes lay elsewhere in the beginning. Unlike the eight-limbed cephalopod of note, my predictions for this world cup have been absolutely atrocious but I am still convinced that we have seen some good football. Speaking of the World Cup and Octopi, I leave you with a quote I pulled from Facebook. It’s by a colleague and fellow Juventino Damien Degiorgio:

“I’ve got nothing against Paul but World Cups used to be remembered for a Paul Gascoigne, a Paolo Rossi or Paolo Roberto Falcao, not for Paul the octopus” – brilliant.

(Errata Corrige: Chief Justice Roberts is NOT resigning as erroneously asserted in last week’s J’accuse. Chief Justice is there for life (a bit like a pet) – it is Justice John Stevens who has retired and will be replaced by Elena Kagan. Thanks to Indy readers the Jacobin and John Lane for the quick corrections.)

www.akkuza.com – uncensored, uncut, and unmarried. “Two-thirds of the country is divorced from reality. The rest would vote for divorce.” – from this week’s J’accuse.

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Arts

Stitching (An Illustrated Conversation)

The debate rages on. Yesterday’s lunchtime discussion veered onto the issue of censorship and the recent Stitching decision. After the break two persons, who I shall call Caius and Titus not to deviate from the subject, resumed the discussion with an exchange of emails. I found the discussion very interesting (and only intervened once between a meeting and another) and would like to share it with the J’accuse readers. You should note that the email exchange kicked off with a reference to a blog post by lawyer Kevin Aquilina that was heavily critical of the play. You can read the post by clicking here before returning to this discussion.

CAIUS: Artikolu tajjeb dwar id-dramm Stitching mill-aspett legali (provides link).

TITUS: L-artiklu (Kevin Aquilina ex chairman tal-awtorità tax-xandir), qrajtu (mhux fid-dettall). Ma impressjonani xejn anzi pjuttost kellu l-effett kuntrarju fuqi. Huwa jsostni li ġej:

1. Uncivilized Use of Language: Rude and vulgar, obscene and blasphemous language is used throughout the play.

2. Glorification of perversion: The play glorifies perversion, depicting it as being the acceptable norm in a civilised society rather than the exception (stitching a woman’s vagina as an act of sexual pleasure; bestiality – having sex with animals; a woman eating another woman’s shit; seeking pleasure in (a) child rape; (b) child murder; (c) having sex with the mothers of the raped and killed children, etc.

3. Disparaging the Right to Life: … the ‘discussion’ in the play on abortion is so valueless and baseless that there can be said to be no recognition of human dignity of the person including the unborn child, bearing also in mind that abortion in Malta is a criminal offence.

4. Sensationalising Perversity and Inhumanity: Both characters (Stu and Abby) are perverse and inhumane: they do not show a single shred of remorse on the killing of Daniel (their first child); they do not appear to be willing to carry out their parental responsibilities as part of their right for respect of family life in order to save the second child from abortion… burning children alive and then killing them and seeing the mothers of the murdered children seduced, fucked, fingered in their arseholes and putting the whole films portraying these heinous criminal acts on the web …

6. Advocating Degradation, Mutilation and Humiliation of Humanity: Abby is continuously degraded and humiliated by Stu in so far as his sexual demands go and in the way how he speaks to her and treats her (he repeatedly calls her a ‘whore’, he requests her to submit her person to various perverse and degrading sexual acts from her and addresses her with no sense of respect or décor);

7. Uncivilized Behaviour: uncivilized behaviour is considered to be normal and acceptable… Some of these conducts constitute criminal offences not only under the Laws of Malta but in other Council of Europe Member States, in Council of Europe Conventions and international criminal law ????????????????????

Re il-vittmi tal-olokawst, is-soltu vera nkun kontra ideat bħal meta bniedem jinnega l-olokawst eċċ, iżda sempliċement il-fatt li l-karattru jammetti li kien iġerrieh għan-nisa sejrin jinqatlu ma hijiex espressjoni ta’ opinjoni. Huwa sempliċement mezz (forsi “in bad taste”) biex juri l-perversità tal-bniedem.

Kollox ma kollox naħseb qrajt u ġejt espost għal dan kollu !!!!

CAIUS: Għaldaqstant huwa ċar li d-dramm juri l-bniedem fl-agħar tiegħu u għalhekk fih hemm kull forma ta’ aġir immorali u illegali, liema aġir huwa kkundannati f’ħafna soċjetajiet. Fil-fehma tiegħu l-arti għandha teżalta u mhux tbaxxi lill-bniedem u turi l-agħar perversitajiet tiegħu.

J’ACCUSE: Quote “Fil-fehma tiegħu l-arti għandha teżalta u mhux tbaxxi lill-bniedem u turi l-agħar perversitajiet tiegħu” Unquote i.e. fil-fehma tieghu l-arti ghandha tigdeb. Nahseb kien imur tajjeb ma mussolini u shabu.

CAIUS: Le mhux tigdeb imma turi l-verita’ fuq il-valur tal-bniedem. Dan il-valur ma jinsabx fl-istinti annimaleski li jbaxxuh.

TITUS: Li tiekol il-ħara għal gost sesswali ma huwiex istint annimalesk. Ma nafx b’annimal li jagħmel hekk … Dak huwa l-bniedem fil-kumplessità tiegħu …

CAIUS: Fil-fatt forsi huwa agħar minn annimalesk, huwa anki kontra n-natura. Għalhekk dak li jiddeskrivi d-dramm ma fihx valur pożittiv.

TITUS: Ok… Mela allura min jimxi kontra n-natura għandu jiġi ċċensurat … L-istess bħal ma niċċensuraw il-perverżjonijiet tagħna … Ninsewhom u ngħixu l-illużjoni li l-bniedem huwa safi minn kull dnub.

Mela r-ritratt tat-tifla taħrab għarwiena minn bomba tan-napalm fil-Vjetnam għandu jiġi ċċensurat għax huwa att agħar minn annimalesk kontra n-natura … (Premju pulitzer 1972).

Pulitzer Prize Winner - 1972

Glorification of perversion

Disparaging the Right to Life:

Advocating Degradation, Mutilation and Humiliation of Humanity:

Uncivilized Behaviour

Iżda xorta jibqa’ l-fatt li għandu valur, mhux biss bħala dokument storiku iżda wkoll minħabba proprju dawn l-affarijiet hawn fuq imsemmija li skont Kevin Aquilina (u int) għandhom iservu bħala bażi għal ċensura …

CAIUS: Fil-fatt hemm liġijiet kontra tali atti.

TITUS: Iva hemm u tajjeb li hemm… imma ma jfissirx li ma tistax tagħmel rappreżentanzi tagħhom jew turi xbihat tagħhom lil pubbliku adult …

***

I end this post with a quote from an essay by Umberto Eco (more next Sunday in the Indy)  called “Hands off My Son”. It is about people who “were unable to distinguish between the Christ of the Gospels and the one of the film (ed. Gibson’s The Passion of the Christ)”:

“To see a representation as the Thing Itself is one of the modern forms of idolatry.” – Eco.

WARNING: The following video clip contains scenes of extreme violence, perversion and inhumanity that may be considered disturbing by certain audiences (the movie did qualify for viewing in Maltese cinemas though so I guess it’s ok).

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Mediawatch

timesofmalta.com uncut

I’s the third time this week that the Timesofmalta.com editors have chosen to not publish my comments online. Now they are fully entitled to choose to ignore my contribution to the high level debate that goes on in the nether regions of every illuminated article. Since freedom of expression is in vogue right now we thought of creating a website where the comments that are not exactly kosher on the timesofmalta.com would be welcome.

We have the prototype up and running. The address is www.timesofmalta.vox.com. The “vox” in the address is quite appropriate as it gives a voice to those commentators with whom the Times has trouble dealing.

Incidentally the comment that sparked this action was a comment of mine at the foot of the Times editorial today. Ed was rambling about how nobody has commented on the Labour plan to tackle corruption and I just remarked that “nel nostro piccolo” we had already done so at J’accuse on the 15th of May. That was this morning. This afternoon and many comments later there is still no sign of our comment. Hence “TOM Uncut“.

The moment we have more time we will move this new blog to a new permanent base with a lovely web address that is sure to surprise the timesofmalta geeks. If you have any comment that has not passed the censorship lines be sure to follow the instructions on TOM Uncut.

Publish and be damned Baby!

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